Reg.Nr. HA-2012/GE/07

Restoration of the “Second Temple Cycle”, Jesteburg

The picture cycle in question was designed for a “Kunsttempel” (“Temple of Fine Arts”), a building dedicated to appreciation of the arts and religious contemplation, erected from 1925–1929 on the brink of the national park “Lüneburger Heide” by the artists Johann and Jutta ...
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Project details

Title:Restoration of the “Second Temple Cycle”, Jesteburg
Entr. year: 2012
Result:Award
Country: Germany
Town: Jesteburg
Category type: Other (See notes)
Notes:Type: Building conservation and conservation of a picture cycle and re-installation into the building for which it was created
Building type/ Project type: Building for cultural activities
Former use:Building dedicated to appreciation of the arts and religious contemplation
Actual use:Art studio open to visitors, exhibition venue, rentable for events
Built: 1925–1929
Architect / Proj.leader: Johann and Jutta Bossard , Kunststätte Bossard
The Jury's citation: "This remarkable example of expressionist brick architecture, designed to display the works of its owners and dedicated to the ideals of Lebensreform (Life Reform) movement, dramatically depicts the social utopias and visions of the period. The chief display, 26 panels of the “Second Temple Cycle”, which fit the building perfectly, had been badly neglected and deserved careful restoration. The Jury was most impressed by the sophisticated methods used to re-establish the distorted panels and damaged paint surfaces. As a result, an unusual and significant piece of German art, which deserves to be better known, is now conserved and accessible for future generations to appreciate."
GPS:53°16'53,3" N; 9°56'28,5" E
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Description:
The picture cycle in question was designed for a “Kunsttempel” (“Temple of Fine Arts”), a building dedicated to appreciation of the arts and religious contemplation, erected from 1925–1929 on the brink of the national park “Lüneburger Heide” by the artists Johann and Jutta Bossard. The submitted conservation work was dedicated to the socalled “Second Temple Cycle” (1928), covering its walls with plywood panels painted in tempera and oil by Johann Bossard. The “Second Temple Cycle” had been severely damaged shortly after its completion by dampness welling up in the walls of the building and had for this reason been taken down by the artists in 1943. The aim of the conservation work was to level and to reglue the various layers of veneering, to straighten deformed panels, to stop the microbiological infection, to remove the remnants of microorganisms, to stabilize the paint layers and to reduce blanching. A mandatory requirement for the long-term efficacy of the restoration was the previous remediation of the thermal state of the building. As a result, the “Temple of Fine Arts” can today be appreciated as originally designed by the artists, with the interior decoration that is best suited for its structure.